Holding History in Your Hand

Historical mystery author Ana Brazil champions the visual value of vintage postcards.

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Ana Brazil Author PhotoRelevant History welcomes back Ana Brazil, a longtime student of history and a voracious reader of mystery. Her historical mystery novel and short stories feature brash American heroines, the more bodacious the better. Ana’s debut novel, Fanny Newcomb and the Irish Channel Ripper, won the 2018 IBPA GOLD Medal for Historical Fiction. Her current work-in-progress features a vaudevillian-chanteuse-who-knows-too-much set in 1919 San Francisco. Ana is an active member of Sisters in Crime and the Historical Novel Society, and a founding member of the Paper Lantern Writers Collective of historical fiction writers. To learn more about Ana and her fiction, visit her web site, and follow her on Facebook, Twitter, Instagram, Pinterest, and Goodreads.

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In an earlier Relevant History post, I shared my long-standing love of Sanborn Fire Insurance maps, which I used extensively in my research of Gilded Age New Orleans. Today I’m sharing my fascination with Turn-of-the-Century-and-slightly-beyond postcards. Or as I call them, “the best hold-it-in-your-hand-history ever.”

Canal Street; New Orleans, LA
Many, many historians have detailed the history of postcards much better than I could ever hope to, but I will share these two first facts: the first known postcard was sent through London in 1840 and the first known American postcard was sent in December 1848.

From those 19th-century dates, postcards made a slow but steady ascent into the lives of mail-sending people across the globe. Postcards reached their Golden Age during the years 1907-1913-ish when postcards were produced, sold, sent, and collected at an astounding rate.

A beautiful scene in Metairie cemetery; New Orleans, LAFortunately for all, the Golden Age of postcards intersected with the turn-of-the-century City Beautiful movement (a concerted effort to enhance the appearance of American towns and cities) and with the advent of automobile-inspired tourism. As a result, postcards of the Golden Age showed off the best and brightest of a city’s civic buildings, parks, churches, residences, and commercial areas. And don’t forget the cemeteries! I’ve collected countless postcards of New Orleans’ lushly landscaped Metairie and St. Louis cemeteries.

A primary source you can afford to collect
Vintage postcards are absolutely one of the easiest primary sources to collect. They’re small, they’re flat, and they usually cost less than $5.00 apiece to purchase.

I purchased my first New Orleans postcards in Magazine Street and French Quarter antique shops. I quickly graduated to searching out postcards at flea markets, swap meets, and garage sales in the south. When EBay came along, my New Orleans postcard collection seemed to explode with inspiring images.

The variety of images types is vast:

Bird’s eye view of New Orleans LA showing the historical French QuartersBird’s eye postcards—just like the bird’s eye maps that inspired them—provide an overview of all or parts of the city.

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Italian Headquarters, Madison Street; New Orleans LAStreetscapes give you an idea of a manageable landscape, including these Italian Headquarters.

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Residence on Esplanade Ave; New Orleans LABlocks & Buildings. New Orleans has always been renowned for glorious residences (like this one on Esplanade Avenue), many of which were built on entire city blocks.

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Milk cart, New Orleans, LAPeople, Places, & Things—I’ve always wanted to put this milk seller (and the carefree boy in the boater leaning against an electrical pole) into one of my stories, but just haven’t found the right place for either of them yet.

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How to use your postcards creatively
I’ve studied each of my postcards, often with a jeweler’s loupe, for clues about life in New Orleans. The details abound—the blue and white striped awnings in the French Quarter, the statues on the lawn, the canals and palm tress in the cemetery, the six lanes of traffic on Canal Street—and go into my scenes, chapters, and stories about New Orleans.

And I always read the Message and Address on the postcard back in hopes of coming across something useable. Should I change a character’s name to “Mrs. Lottie Ulrich?” How about “Mrs. Edgar R. Patterson?” Or should I address each married woman character as “Mrs.” more often?

And what writer isn’t intrigued by these postcard messages?

After a haircut-shave, shampoo and massage I looked so young I immediately started for Chicago. I did enjoy your visit so and can’t thank you enough.

I’m here [in New Orleans] and feeling fine as silk.

Another week and I’ll be eating real grub.

The voices of the past make the entire city feel alive to me. And hopefully that translates in my writing.

I enjoy my New Orleans postcard images so much that I’ve integrated them into blog posts and my website. I’ve also used them as swag (I give away reproduced postcards instead of bookmarks) and as book club show-and-tell.

For anyone interested in Turn-of-the-Century urban American, I cannot recommend postcards of the era enough!

I hope you have the opportunity to wander through a box of old postcards someday soon. Just find one postcard that delights you, hold-it-in-your-hand, and let the images and words of the past perform their magic.

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Fanny Newcomb book coverA big thanks to Ana Brazil! She’ll give away a packet of four reproduction postcards and one original postcard of Italian Headquarters, plus a paperback copy of Fanny Newcomb and the Irish Channel Ripper, to someone who contributes a comment on my blog this week (available Tuesday 4 February). I’ll choose the winner from among those who comment by Friday at 6 p.m. ET. Delivery is available in the US only.

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Unlocking the Secrets of Historic American Cities with Sanborn Fire Insurance Maps

Ana Brazil author photoRelevant History welcomes Ana Brazil, author of the historical mystery Fanny Newcomb and the Irish Channel Ripper (Sand Hill Review Press) and winner of the Independent Book Publishers Association 2018 Gold Medal for Historical Fiction. Ana explored the historic houses of Virginia as a teenager, earned her Master’s degree in American history from Florida State University, and traveled her way through Mississippi as an architectural historian. She also spent one very long, very hot summer in New Orleans researching content for her Master’s thesis. Ana, her husband, and her dog Traveller live in the beautiful Oakland foothills. To learn more about her and her books, visit her web site, and follow her on Facebook, Twitter, Goodreads, and Pinterest.

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I’ve always been attracted to cities. Not humongous, out-of-control, no-place-to-walk-or-breathe-in cities, but gentler, gracious, and smile-when-you-meet-new-people cities. Southern cities like Tallahassee, Vicksburg, and New Orleans.

Bird’s Eye View of New Orleans LA with French Quarter, postcard from author’s collectionWhen I wrote my debut historical mystery Fanny Newcomb and the Irish Channel Ripper, I worked hard to make sure that I presented the historical environment of 1889 New Orleans correctly. I walked around the Irish Channel neighborhood, photographed all kinds of buildings, toured St. Alphonsus and St. Mary Catholic Churches, and, of course, shopped as much as possible in the boutiques of historic Magazine Street!

I wanted to make sure that I described the buildings, banquettes, electric streetlights (yes, they existed), and streets traveled by the mule-driven streetcars as accurately as possible.

I also dug into the newspapers, city directories, and city “booster” materials from the period. And as a final way to understand the physical environment of 1889 New Orleans—to make sure that I didn’t locate a house of prostitution where a church existed, or sink Charity Hospital into a drainage canal—I explored the city through the Sanborn Fire Insurance maps (aka “Sanborn maps”).

What are Sanborn maps?
Volume 1 of the New Orleans Sanborn Insurance Maps of 1885I’m so glad that you asked! From 1866 to the mid-1960’s, the Sanborn Map Publishing Company of New York City created complex footprint maps of approximately 13,000 American cities. Fire insurance companies used these maps to estimate the fire risks for individual buildings and decide how much to charge the building owners for fire insurance.

I was introduced to Sanborn maps when I worked as an architectural historian for the Mississippi Department of Archives. My job was to evaluate and nominate historic buildings and places for inclusion in the National Register of Historic Places. The Sanborn maps were vitally helpful.

Although Sanborn maps are a treasure trove for architectural historians, historians, and historical novelists, that’s not where their value ends. If you’re an archaeologist, genealogist, realtor, public works employee, or geographer, you can use these maps to unlock the secrets of your city, neighborhood, block, or building.

All you need is a key
New Orleans Key, Sanborn MapEvery group of city maps had a “key” similar to the one in this image. Once you understood the key, you could understand everything about the buildings on the map.

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New Orleans French Opera HouseAs this example of New Orleans’ French Opera House shows, the maps displayed the footprints of building (to scale), building materials used (red=brick, yellow=frame, blue=stone), existing firewall information, locations of available water reservoirs, other buildings in the area, and whether the building had a watchman. Just to name a few of the map attributes.

This information—about how people lived, worked, and entertained themselves—cannot be found anywhere else! And these are the types of details that I love to use when creating my historical fiction.

When I began writing Fanny Newcomb and the French Quarter Laudanum Lover—the (in-progress) second book in my Fanny Newcomb trilogy—I wanted to understand more about New Orleans’ historic French Quarter. Specifically, I wanted to know where the Italian restaurants, drug stores, tobacco manufacturers, and “female boarding” houses (an oft-used Sanborn map euphemism for houses of prostitution) were located in the late 1880’s.

New Orleans Big ViewThis image displays what I call the “big view,” which shows some of areas that were surveyed by the Sanborn Company. The “42” in pink refers to Page 42 of the book and is the location of part of the French Quarter from Jackson Square and St. Louis Cathedral to Canal Street.

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New Orleans Close-up of Page 42Here is a close-up image of part of Page 42 showing Jackson Square on the bottom center and St. Louis Cathedral above it. Most of the buildings and green spaces shown in this map still exist, although their uses have changed. But look at some of these 19th century uses!

Cooper shop
Carpenter
Snuff and fine cut tobacco factory
State arsenal
Gun & locksmith
Paints & oils

All of these building uses contribute to the flavor of New Orleans 1889. It would have been impossible to understand “the business of Jackson Square” without a Sanborn map.

Although I did find a tobacco manufacturer in this area, there were no Italian restaurants or drug stores. And—mostly likely because of the Cathedral, Courts, and Police Station in the vicinity—there were no female boarding houses in this area of the French Quarter. Although there were many, many female boarding houses just blocks away from Jackson Square.

I hope this short tour through late 19th century New Orleans illuminates the importance of historic Sanborn maps, how fun they are to look at, and how much they can tell you about your chosen locale! To make your foray into Sanborn maps as easy as possible, the Library of Congress—owner of the largest collection of Sanborn maps—has made their maps available online. In addition, many university libraries throughout the United States own sets of Sanborn maps (bound in books which can weigh up to 30 pounds!) and—once you put on a pair of white gloves—you can research directly in those books.

One more bit of good news: in the late 18th century, insurance companies began mapping the buildings of London, and other countries also have their share of “Sanborn-equivalent” city maps. But since Gilded Age New Orleans is my city, I’ll have to let another Relevant History blogger share the secrets of other city maps with you.

Note: All Sanborn map screenshots in this post are courtesy of the Library of Congress.

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Fanny Newcomb and the Irish Channel Ripper book coverA big thanks to Ana Brazil! She’ll give away a 13 oz. can of New Orleans’ Cafe du Monde’s French Roast Coffee and a Kindle ebook copy of Fanny Newcomb and the Irish Channel Ripper to someone who contributes a comment on my blog this week. I’ll choose the winner from among those who comment by Friday at 6 p.m. ET. Delivery is available in the U.S. only.

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